When I posted about the mysterious Sir Douglas Quintet single "Michoachan" earlier in Doug Sahm month, I didn't realize there was going to be so much back story. I decided I would go to the source and discuss it with its co-writer, legendary songwriter/singer/producer/A&R man/svengali/pied piper/raconteur/garbage man Kim Fowley. The original blog post can be found here.
Kim Fowley (in the Western shirt) with among others Del Shannon, Bruce Johnston and Gene Vincent. From his website.
Interviewing Kim Fowley means staying out of Kim Fowley's way, so I just tried not to interrupt him, since every time I did he went skidding on some new fascinating tangent.
KIM FOWLEY: Michoacan was written by Atwood Allen and [myself]. Atwood Allen was the Electric Ice Man from
San Antonio, and his grass that he cultivated and blended and rolled into
joints was apparently legendary. I don’t
smoke dope so I have no idea if it’s true, but according to gravevine legend
Bob Dylan smoked some of Atwood’s blend and thought it was Doug Sahm’s blend
and then liked Doug Sahm’s music more than he normally would, because he thought
his abilities as a tobacconist cum blender of psychedelics gave him a different
status. And then when he found it it was
Atwood Allen’s, possibly he didn’t like Doug Sahm as much. Now, this is just a story that floats around
ballrooms in Austin. It is possibly
untrue. It’s possibly true. I’m not in an Austin ballroom and I wasn’t there
when the rumors started. Have you ever
heard that rumour before?
from left: Ernie Durawa, Doug Sahm, Atwood Allen (click here for photo source)
DR. FILTH: I read somewhere that
“michoacan” is a codeword for really good marijuana.
FOWLEY: Well, I know that it grows there. In Michoacan itself.
Apparently that’s the Carolinas of marijuanadom. I’ve never been
there. I remember, I walked into Tom Ayres’ home and this Atwood Allen said,
“Hey, buddy – you want a joint?” And I told him I didn’t smoke. So he said, “Hey Tom, I thought you said this
guy wrote lyrics. I want to write a song about Michoacan, and I’ve got the
music but this motherfucker doesn’t know shit about dope.”
So I said, “Hey motherfucker, I had a lesbian mother and an
opium addict father to contend with so I understand your shit. I was there when Robert Mitchum got busted
for marijuana. My father was trying to score opium in the same house. Don’t
fuck with me, motherfucker, I can write the shit! I wrote shit for the Byrds and I grew up in a criminal household!”
Something to that effect.
DrF: So he decided that you
guys could work together.
KF: Yeah, just to shut me up, probably. So he started smoking
dope and I said, “Play your shit” and about ten minutes later it was done. And
he said, “My god, this guy’s like a redneck!” And I said, “Look, I produced
Gene Vincent. And he was on morphine! And I understood that guy, so I can
understand your tiny little drug habit.” So about 10 minutes later the thing
was done and Doug Sahm showed up later in the evening when I wasn’t there and
Atwood sang it, and he called him “hoss” and “bro” and “dude” and he learned
the fucking thing, and there was a movie called Cisco Pike being made - the original title was The Dealer, which would have been a better title than
Cisco Pike. Did you ever see the movie?
DrF: Yes.
KF: It’s a really good movie isn’t it? Kris Kristofferson’s
first starring role. It was supposed to be the second coming of Easy Rider. And
this song was going to be the new “Born to Be Wild”. But it didn’t at all become “Born
to Be Wild”. I saw the movie and it sounded like mariachi horns.
KF: The song was covered four times. I covered it as a producer
with Scorpion, on MNW records in Sweden, later purchased by Universal.
Swedish psych/prog band does a German polka version of Tex-Mex
song with lyrics by a California freak. The mind reels.
KF: And then
Atwood Allen had a thing called Atwood Allen the Electric Iceman, Bossier City
was the b-side. [I have so far been unable to uncover a copy of this 45 - anybody got one?]And then there was Rocky and the Border Kings, doing "Michoacan". The b-side was "Gulf of Mexico", which I thought was an amazing song. Rocky was
Jimmy Stallings, who was also J.J. Light, who also was a member of the Quintet
for a minute. Did you know that?
DrF: No. I mean, I knew that J.J. Light was in the Quintet, but I had no idea that he was Rocky. I love that J.J. Light LP.
KF: He was from Farmington New Mexico. He had a Mexican mom and
an Anglican dad and he worked in a laundry there. The Hollywood Argyles found him
and brought him back to LA in 1960 or 1961. He became Gene Thomas – he was a
funny Gene Thomas. Gene Thomas had “Sometime”, which was another Chicano-kind-of-San-Antonio record, but no one knew what Gene Thomas looked like here, so we passed
him off as Gene Thomas.
KF: So the fifth version of the song was Kris Kristofferson – he
did a live album in Cuba or some weird place. It’s a blue album cover, and it’s
the only live Kristofferson album. And so he did it, but he changed the lyrics
– naughty naughty shame on you – and so I thought, “well, he’s a great
songwriter”. But his words were worse than mine. He didn’t take credit but he
still changed them.Is that five versions?
Read them back.
I was unable to verify the Cuban live album, but here's the studio version from Shake Hands with the Devil
Dr.F: Kristofferson, Rocky
and the Border Kings, Atwood Allen, Scorpion, Sir Douglas Quintet.
KF: And not one of them charted. I think the Kristofferson album
charted. Nothing else charted. It’s probably a hit song, and someday someone
will do a new version of it, some new Tijuana brass thing . .
Dr.F: Tijuana dubstep.
KF: Yeah! Why not? They’ll hear it, and people will smoke dope and say, “Shit! Where did this come from?” I mean, there’s
something great about it. It’s like my
song “The Trip”. God, that thing has been covered and used and banned just
about everywhere.
Joe "King" Carraso and the Crowns
KF: At one point Sahm was going to produce Joe "King" Carrasco and
the Crowns, and I met him in the bathroom of the baseball game they always have
on Sundays at South by Southwest. They end the conference and
everybody goes and plays baseball. Doug
Sahm was the coach. And so I said,
“Here’s Michoacan and some other shit for Joe "King" Carrasco.” And he
reluctantly took it, but he probably threw it in the trash, because Doug never
understood how I was able, as this West Coast moron, to write authentic shit that
he could sing. Because he was a great songwriter and he didn’t cover too many
people.
DrF: He did not cover too
many contemporaries, no.
KF: No, he wanted to find some
toothless black guy from 400 years ago and give him a shot.
This interview expanded to include several other topics, and we will see more of it in the very near future. Kim Fowley would like to let you know that he has just recorded a new release with Snow Mercy called Live in Overdrive. "We did it in an hour. It's one of the dumbest records you've ever heard. It's STUPID. Which is the key word in rock and roll. It's really stupid, and if you guys are smoking dope, jacking off, or robbing cars, this is the record to do it to. Everything good about Paul and Paula and Dale and Grace, you will find on this piece of trash, on steroids. Be sure and check it out. It's on iTunes."
Since Greg G sent Doug south of the border in an earlier post today, I thought this was an appropriate time to take another excursion down there, this time in the form of a single-only song from the Kris Kristofferson film Cisco Pike, "Michoacan".
I guess that working with the Crazy Cajun Huey P. Meaux wasn't quite enough crazy for Sahm, because "Michoacan" was co-written by the king of crazy, Kim Fowley.
Sir Doug actually appeared in Cisco Pike, which features a PRIMO cast of 70s performers, from Karen Black to Harry Dean Stanton to Antonio Fargas, and is almost sure to be playing at a Fool's Paradise double feature near you in the near future. As a teaser, here's Doug's scene (about three minutes in), talking about how much he hates complicated California psychedelic music and prefers to keep it simple. He also, unsurprisingly, needs some weed.
The song itself is such a crazy, happy goofed up bounce, and the scene in the studio is so positively loco, that for a while the word "Michoacan", divorced from any geographical context or even an upper case letter, became a code adjective among me and my friends for a messed up but kind of awesome situation, as in: "That party last night was pretty michoacan." This has of course taken on darker meanings since Michoacan became one of the central spots of south-of-the-border drug cartel violence. Surprised this number has not made it into "Breaking Bad".
Speaking of pretty michoacan, check out this photo of Doug Sahm, Steven T. (aka Venus of Venus and the Razor Blades), Question Mark, and Kim Fowley. If that's not the essence of michoacan, I dunno what is.