Mid-Week Movie Break: Black Tight Killers

Biff! Bang! Pow! All we’re missing are the flashing onomatopoeia title cards in this swinging 1966 time capsule of the grooviest aspects of the mid-60’s pop culture mania, for this week’s Mid-Week Movie Break. This week we highlight the tongue-in-cheek spectacle Black Tight Killers, starring Akira Kobayashi and Chieko Matsubara.

Screen grab showcasing some of the oddball club interiors seen in the film.

Sandwiched between the tail end of the Nikkatsu noir movies of the 1960’s, and the first wave of the Pinky Violence exploitation films on the 1970’s, Black Tight Killers (Ore ni Sawaru to Abunaize) is a pop art spectacle well worth the time it takes to seek it out.  For a taste of what’s in store for you, you can watch the trailer here.

Akira Kobayashi 45 on Colombia

Our hero (Kobayashi) is a combat photographer named Hondo. Hondo is enchanted by a young stewardess named Yuriko (Matsubara) during his flight back home from a recent assignment, and she concedes to have dinner with him. The date doesn’t end well, as Yuriko is kidnapped and Hondo is framed for the death of a gangster. The real killers? A group of women in black tights and jackets with knives hidden in their hair brushes; the titular Black Tight Killers! It appears Yuriko is a marked woman, as a coalition of hoods–formed by American mafioso and Japanese yakuza–are after her to get their hands on some gold her father may have stolen and hidden away during WWII. As Hondo tries to clear himself with the police and track down the missing Yuriko, he’s constantly hindered, and helped, by the group of assassins who employ such bizarre weaponry as exploding golf balls, chewing gum bullets to spit into the eyes of their enemies, deadly tape measures, and 45rpm records thrown like throwing stars. And get this, when they aren’t out foiling Hondo or knocking off gangsters, the ladies moonlight as a troupe of go-go dancers in a crazy rock club! What is their part in all of this madness? Watch and find out!

Take all of the best camp elements of The Man From U.N.C.L.E., James Bond and Batman, throw in some Takeshi Terauchi surf guitar and Japanese Group Sounds 45s, some secret agent jazz, a little skin (though no visible nudity), go-go dancing film breaks, blend well, then you have the crazy concoction that is Black Tight Killers. Want more proof of the candy colored madness that awaits you? Watch this dream sequence from the film (not the original music, though)! It’s like The 5.6.7.8.’s got their own girl gang flick!

The Black Tight Killers in a masked go-go dance frenzy

The film was directed by Yasuharu Hasebe, who went on to direct Alleycat Rock: Female Boss, about warring female biker gangs, and a number of the aforementioned Pinky Violence films. Lead actor Akira Kobayashi did some film and television work through the early 1970s, was a popular crooner for a while, including the title tracks to a number of his films, then became a professional golfer. Actress Chieko Matsubara was spotted at a beauty contest and has since starred in over 115 films, including the classic Tokyo Drifter which came out the same year as our feature, and is still working today. She also apparently did some crooning of her own, as suggested by the sleeve pictured below. She released some singles in he late 60s on Columbia. The amazing soundtrack is provided by prolific film and television composer Naozumi Yamamoto, and as far as I can tell, is not available in any format, which is a damn shame.

Note the Goldfinger-esque gold-painted dancers. This is a plot point in how
the crooks intend to do away with Yuriko.

Chieko Matsubara 45 for Colombia Records.

Mid-week Movie Break

Hi there! My name is Josh and I’ve been invited to contribute a regular film feature to the mighty WFMU Ichiban blog! My goal is to do a regular weekly focus on great pop cultural artifacts from the early days of cinema through the early 1970s, likely regularly featuring the names and faces found indelibly revered on the mighty Rex’s Fool's Paradise memorial playlists.

I figured I’d utilize my inaugural post to focus on something we could all use a little of right now, and that’s levity. We’ll get to the rubber monsters, masked adventurers and secret agents later, but right now I’d like to highlight a comedy classic that works two-fold with the modus operandi of this here music-talky blog, which is highlighting great ephemera from the early half of the previous century, and providing a musical element that can be appreciated as an obscure piece of pop music history as well. The feature in question is Abbott And Costello’s Comin’ Round The Mountain; the 1951 Universal feature that follows their meeting the Invisible Man, and prefaces their being Lost In Alaska. 

Margaret Hamilton as witch Aunt Huddy in
Comin' Round The Mountain

In Comin’ Round The Mountain, Bud Abbott plays not-quite-adept talent agent Al Stewart, and Lou Costello plays bumbling would-be escape artist Wilbert Smith. When Wilbert’s debut escape attempt goes awry, Stewart’s one lucky break, singer Dorothy McCoy, realizes that Wilbert is a member of her family, the McCoy clan of Kentucky—an old hill folk family that has claim to a lost treasure secreted by clan patriarch Squeeze Box McCoy. Dorothy and the boys head back to the hills to stake a claim on the hidden treasure. In the interim, the cast runs afoul of a love potion concocted by show-stealing hill witch Margaret Hamilton (The Wizard of Oz, 13 Ghosts), forced marriages, and reigniting a feud between the McCoy clan and their rivals, the Winfields, lead by Glenn Strange in the hillified role of Devil Dan. Obviously some of the Abbott and Costello routines in the picture haven’t aged well in the eye of modern sensibilities, and the played-for-laughs running theme of child brides will likely cause some clenched teeth, but overall the humor still stands strong. The hillbilly kinfolk are portrayed in the broadest Li’l Abner stereotypes this side of an episode of Hee-Haw; this isn't a Herschell Gordon Lewis production. Think torso-long beards, shapeless felt hats and moonshine jugs corked with corn cobs. There are numerous musical pieces by co-star Dorothy Shay "The Park Avenue Hillbillie" and they are fantastic in the Spike Jones / Stan Freberg vein of humorous novelty numbers. The film also features some other recognizable faces, including character actor and dialectician Robert Easton (The Giant Spider Invasion) and singer/actress Shaye Cogan, who can be seen/heard singing “Pathway To Sin” in the 1957 Alan Freed vehicle Mr. Rock ’n’ Roll here. She also starred again with Abbott And Costello the following year in the 1952 color feature Jack And The Beanstalk. 

Poster for a double bill of Comin' Round The Mountain paired with the 1948
Marjorie Main, Percy Kilbride (not as Ma & Pa Kettle) film Feudin', Fussin' and A-Fightin'.

Co-star Dorothy Shay (born Sims) had a rather ironic career trajectory: born in Jacksonville, Florida, Shay took professional singing lessons to try and lose her southern twang to find success as a professional singer. Later, after she found fame by performing a hillbilly novelty tune “Uncle Fud” with the Morton Gould orchestra, she made her way as a solo novelty act, billed as Dorothy Shay “The Park Avenue Hillbillie”. Shay recorded a handful of records, starting with The Park Avenue Hillbillie Sings on Capitol in 1946, and eventually moved to Columbia. By the early 1960s she had changed career paths to become a bit player in television shows like Adam-12, The Virginian, The Brady Bunch and The Waltons. 

You can watch/hear Shay perform "A Little Western Town Called Beverly Hills" here.

Frankenstein of '59!

Buchanan & Goodman - Frankenstein of 59 (part 1)
Frankenstein Returns (part 2)